26 / 01 / 2023
At first glance, an apparent coldness might define the work of the David/Nicolas duo. But one must look deeper – deconstructing their memories and passions before contemplating the retro-futuristic beauty that permeates each of their spaces and objects, articulated in an unusually harmonious way.
It is from their studio in Beirut that the creative duo recollect some of the main ingredients behind their creative process: “harmony, circulation, function and, most importantly of all, personality.”
INÊS GRAÇA How do you complement each other professionally? DAVID/NICOLAS We have always worked together, even while we were studying. Over time, we believe we have relinquished a certain individuality in order to forge a dynamic working relationship in which we operate as one. The advantages are manifold: we are more demanding and critical, and we are able to approach our projects from different perspectives, evolving quickly. It’s a very organic cooperation and it is being honed over time.
What changed after the Loulou/Hoda exhibition, in which you presented pieces inspired by your grandmothers? We originally started our studio in Milan and then moved to Portugal before returning to Lebanon. We were looking for a sense of purpose, and understanding where we came from helps us understand the direction we want to take. It was that point in life when we were questioning everything; we wanted to understand our vision and identity. Lebanon is highly diverse culturally and few people were developing products, so there was room for us to explore and share new aesthetics. The Loulou/Hoda exhibition became a way for us to recreate that nostalgia while looking towards the future. It was an emotional exhibition and even now we remember a lady in tears telling us that we had brought back so many memories for her. This was a turning point, since it was the first time we had exhibited our work in Beirut and communicated our own vision of the world.
INÊS GRAÇA How do you complement each other professionally? DAVID/NICOLAS We have always worked together, even while we were studying. Over time, we believe we have relinquished a certain individuality in order to forge a dynamic working relationship in which we operate as one. The advantages are manifold: we are more demanding and critical, and we are able to approach our projects from different perspectives, evolving quickly. It’s a very organic cooperation and it is being honed over time.
What changed after the Loulou/Hoda exhibition, in which you presented pieces inspired by your grandmothers? We originally started our studio in Milan and then moved to Portugal before returning to Lebanon. We were looking for a sense of purpose, and understanding where we came from helps us understand the direction we want to take. It was that point in life when we were questioning everything; we wanted to understand our vision and identity. Lebanon is highly diverse culturally and few people were developing products, so there was room for us to explore and share new aesthetics. The Loulou/Hoda exhibition became a way for us to recreate that nostalgia while looking towards the future. It was an emotional exhibition and even now we remember a lady in tears telling us that we had brought back so many memories for her. This was a turning point, since it was the first time we had exhibited our work in Beirut and communicated our own vision of the world.
CONSTELLATION ©Jean Pierre Vaillancourt
DN TABLE ©Emanuele Tortora
The Supernova collection continues to grow, reaffirming your belief in combining historical relevance with a more emotional design. It is one of our most successful collections. Monocle, for example, is a series centred around the representation of large masses of dense matter. Through materials such as wood, marble, bronze and glass, the pieces allude to the balance of mass and light generated within a black hole. Similarly, the Constellation
"METRONOME" Lounge Studio Line
"MONOCLE" ©Jean Pierre Vaillancourt
“ROMANCIER” Carpenters Workshop Gallery ©Emanuele Tortora
"VICTORIA TACCHINI" ©Andrea Ferrari
“BARGHOUTI”, AMMAN ©David Raffoul
“BARGHOUTI”, AMMAN ©Pino Musi
WALL PANELING AND WOODEN SHELF ©Jean Pierre Vaillancourt
©Marco Pinarelli
For more information, visit David/Nicolas website.