The starting point for the exhibition was to gather a select number of pieces sustained by different techniques and supports in the same space. Although distinct, they complement each other. Curated by Marie de Carvalho, PAPIER & TERRE MÊLÉE presents drawings, canvas and ceramic sculptures along with more utilitarian pieces, such as sconces, door handles or tiles, all of which were created specifically for the exhibition – an assortment that comes together and expands before those who observe and let themselves linger on one piece or another.
Inspired by the countless possibilities that working on different media can bring to his creative process, Victor Marqué says “every material” brings him a “dissimilar approach”, varying between them according to his state of mind or energy. “A quick engraving on a ceramic tile can give me an idea of composition for a sculpture, which will subsequently lead me to create a canvas over several months. Working on different media allows me to always have dozens of works in progress,” Victor shares.

The architecture references are evident, an evolution that began in 2011 when he was still studying it. By using architectural representation tools, such as sections, axonometrics or plans, Victor played with geometry and deconstruction. Arriving in Porto in 2017, where he currently lives and works, this research continued yet always intending to diversify his artistic horizons, a fictional universe composed of, for example, chimaeras – half animals, half buildings, in this case – influenced by ancient ruins, fragments of ceramics in archaeological museums or even ancient fabrics covered with geometric patterns and unique pigments. “I like to see any work done with hands and passion,” he concludes.